5610 безплатни аудиофайлове за "Train Enter And Leave Station"

09. TRG Banks - Conference

02. TRG Banks - The Rebelution

12. TRG Banks - Sunset

Symphony No. 5, first movement, bars 195-227

10. TRG Banks - Easter

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

14. TRG Banks - Into Canada

11. TRG Banks - Stop The Merry-Go-Round

13. TRG Banks - Goodbye Josh

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

My Old Kentucky Home

The trio from Pomp and Circumstance March No. 1, directed by Edward Elgar. Played for the opening of EMI's studios at Abbey Road.

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.

Vivaldi Winter from the Four Seasons

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

TRG Banks - Prelude

07. TRG Banks - Tour

04. TRG Banks - Prayer

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

*1681th harmonic on C = G♯. Just: 1681/1024 = 858.12 cents. Limit: 41-limit. MIDI pitch bend: 76,50

Recording of an electric commuter train leaving the station platform.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

*Two-hundred-ninth subharmonic on C = E↓. Just: 256/209 = 351.17 cents. Limit: 19-limit. MIDI pitch bend: 47,48

*Hundred-sixty-ninth subharmonic on C = G♯. Just: 256/169 = 718.94 cents. Limit: 13-limit. MIDI pitch bend: 7,70

*Fifty-first subharmonic on C = F♭. Just: 64/51 = 393.09 cents. Limit: 17-limit. MIDI pitch bend: 101,61

*Twenty-ninth subharmonic on C = D-. Just: 32/29 = 170.42 cents. Limit: 29-limit. MIDI pitch bend: 68,54

*Hundred-sixty-first subharmonic on C = A♭-. Just: 256/161 = 802.90 cents. Limit: 23-limit. MIDI pitch bend: 118,64

*Thirty-ninth subharmonic on C = A. Just: 64/39 = 857.52 cents. Limit: 13-limit. MIDI pitch bend: 51,50

*Hundred-eighty-seventh subharmonic on C = G↓♭. Just: 256/187 = 543.73 cents. Limit: 17-limit. MIDI pitch bend: 127,77

Simple Gifts from the U.S. Army Fife and Drum Corps' album "Celebrating 50 Years"

*Hundred-fifteenth subharmonic on C = E♭-. Just: 128/115 = 185.41 cents. Limit: 23-limit. MIDI pitch bend: 42,59

*Hundred-nineteenth subharmonic on C = D♭-. Just: 128/119 = 126.22 cents. Limit: 17-limit. MIDI pitch bend: 49,72

Tridecimal narrow tritone on C. F♯+ = 18/13 = 563.38 cents.

Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.

*Fifty-seventh subharmonic on C = D-. Just: 64/57 = 200.53 cents. Limit: 19-limit. MIDI pitch bend: 21,64

*Two-hundred-seventh subharmonic on C = F♭-. Just: 256/207 = 367.82 cents. Limit: 23-limit. MIDI pitch bend: 89,53

*Hundred-ninety-fifth subharmonic on C = F. Just: 256/195 = 471.20 cents. Limit: 13-limit. MIDI pitch bend: 100,54

*33rd subharmonic on C = C↓. Just: 64:33 = 1146.73 cents. Limit: 11-limit. MIDI pitch bend: 122,78

*Hundred-seventy-first subharmonic on C = G-. Just: 256/171 = 698.58 cents. Limit: 19-limit. MIDI pitch bend: 69,63

*Hundred-forty-third subharmonic on C = B↓. Just: 256/143 = 1008.15 cents. Limit: 13-limit. MIDI pitch bend: 78,66

Fichier audio de l'image correspondante (Interpolation_musique_Openmusic.png)

*Hundred-fifty-third subharmonic on C = B-. Just: 256/153 = 891.13 cents. Limit: 17-limit. MIDI pitch bend: 20,61

*Hundred-thirty-third subharmonic on C = B-. Just: 256/133 = 1133.66 cents. Limit: 19-limit. MIDI pitch bend: 98,74

*77th subharmonic on C = A↓. Just: 128:77 = 879.86 cents. Limit: 11-limit. MIDI pitch bend: 71,89 on m6

*Sixty-ninth subharmonic on C = C♭-. Just: 128/69 = 1069.77 cents. Limit: 23-limit. MIDI pitch bend: 41,54

*Two-hundred-fifty-third subharmonic on C = D↓♭-. Just: 256/253 = 20.41 cents. Limit: 23-limit. MIDI pitch bend: 67,70

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Two-hundred-forty-seventh subharmonic on C = C♯. 256/247 = 61.96 cents.